本文擬從中國當代詩人在詩史發聲上的焦慮切入，先後論及兩個 分別由《上海文論》和《今天》雜誌開闢的「重寫文學史」專欄，以 及其後的幾部由年輕詩人編寫的野史性質的圖書，由 此檢視詩人對典 律所懷抱的野心，和作為焦慮來源的正規詩史。同時，特別討論幾部 學術性詩史專著的書寫策略，並分析其慣用的全景式寫法；再參照詩 人所撰寫的「詩人生活史／閱讀史」，這種比學術論述更貼近讀者的隨 筆敘述，對學者的撰史權力與能力而言，是一種挑戰。最後，本文 嘗試在前述兩大類別的詩史撰述策略上，提出一種較富有故事性和論 述深度的地景式寫法。

By exploring anxiety of vocalization in poetic history among China’s contemporary poets, this article intends to inspect the ambition embraced by poets towards the canon and also the formal poetic history (as source of anxiety), based on the discussion of “Rewriting Literary History” column published separately on magazines namely the Shanghai’s Literary Theory and Today in succession, along with subsequent books of unofficial nature compiled by the young poets. Hereby, writing strategies of several academic monographs of poetic history shall be discussed, at the same time the preferred panoramic style of writing and another landscape style of writing fulled of storytelling are also been analyzed.