黃火廷是第一位純粹以客語創作小說且量產之六堆作家，其客語小說〈秋菊〉以秋菊與豪盛仔作為敘事主軸，描繪男女主人翁擺脫傳統客庄保守婚姻愛情觀包祇，呈現生命原質的男女交感過程。本文嘗試以《周易•咸卦》「人倫之感」角度，解讀〈秋菊〉男女交感之轉折變化，藉以探討〈秋菊〉之小說架構，冥合《周 易》上、下經「坎、離、咸、恆」之層遞關係；人物形塑則呈現出與〈咸卦〉兒上艮下之對應關係；人物愛情發展更是契合〈咸卦〉六爻「拇、腓、股、心、晦、輔頰舌」之層遞漸變。透過《周易•咸卦》與小說〈秋菊〉之間的經、小說互證， 更能體悟《周易》近取諸身，遠取諸物，以通神明之德，以類萬物之情的智慧。

Huang Huo Ting was the first Liutui writer to employ only Hakka language for fiction writing and mass production. His Hakka novel Qiu Ju depicted how the hero Qiu Ju and heroine Hao Sheng Tsai rid themselves of the burden of conservative martial view from traditional Hakka village, showing the men and women’s sympathetic process of original quality of life. This paper attempts to use the sense of ideology from Zhou Yi-Xian Trigram to examine the sympathetic process of men and women turning changes from Qiu Ju, in order to ascertain the structure of Qiu Ju and to fit “Kan, li, Xian, Heng” hierarchical relationship from Zhou Yi. The shaping of characters was exhibited Dui on the top and Gen at the foot corresponding to the relationship from Xian Trigram. The development of love between characters fit Liu Yao “Hallux, Php, Unit, Heart, Mei, Auxiliary Buccolingual” gradual changing from Xian Trigram. Through Zhou Yi-Xian and the novel Qiu Ju between classics and fiction mutual certificate, we could understand the wisdom of Zhou Yi-Xian which is revealed in near taken from the body, away from the objects to pass the virtue of gods, to classifying the affections all things.