台灣樂壇女歌手陳綺貞出道至今17年，即便在新自由主義盛 行的時代，「小清新教母」依舊撫慰人心。本研究先梳理「小清新」一詞的來源與意涵，接著以陳綺貞樂迷為主軸，探討當代樂迷的社會感知與現代性情感。 本研究採網路問卷與論述分析。網路問卷先於Facebook 不公 開社團「Cheerego.com 陳綺貞cheer 粉絲後援會」、Cheerego.com 官方網站以及PTT【Cheer】板三處發放，共回收有效樣本199份， 在性別組成部分，女性樂迷佔55.28％，男性樂迷佔44.72％；樂 迷年齡以15～22歲為主，佔50.75％。其次針對官網2014 年9 月至2015 年1 月間的樂迷留言進行 論述分析，結果發現樂迷所經歷的現代性情感大約可被歸為以下四類：「看不見未來的人生」、「不喜歡現在的工作」、「無奈 感的慰藉－審美的救贖」、「找不到自我／歸屬感」。

Taiwan Female Pop singer Cheer Chen had been made her debut in 1997. Even now in the neoliberal era, her song which is called “Twee Pop ”style still make people feel comfort. In the first, this research will arrange the meaning of“Twee Pop ” between Taiwan and China and then discuss what these fans feel for the social perception and their sentiment of modernity. This research used Online-survey and discourse analysis. Online-survey questionnaires were issued in three Internet communities: the fan club of Chen in Facebook private association, the official guestbook, and “Cheer board” in “PTT”. Collected 199 valid samples. In gender composition, female accounts for 55.28% of total fans, and male accounts for 44.72%. In age composition, fans are mainly based on 15~22 years old, which accounts for 50.75%. On the other way, we focus on the fans' messages from September 2014 to January 2015 on official guestbook to do discourse analysis. The result found that the fans who experienced the modern sentiment, can be classified to four categories: invisible future, fans who don’t like the present job, using the aesthetic feeling as the comfort of helpless, and fans who can’t find a sense of belonging.