當代水墨是這幾年學術圈以及藝術市場很熱門的話題，不管是從後殖民的角度或 文化混種理論，都豐富了學術對這話題的思考範圍與深度；而本文，是這幾年筆者從 藝術市場與收藏家、相關從業人員等，針對此話題的交流和自身觀察，整理出當代水 墨所面對的實際問題，以及對當前現象的理解與分析，對於未來要投入藝術市場的年 輕水墨藝術家、收藏家與研究者，提供可參考的思路與建議。

In recent years, the contemporary ink paintingisone of popular topics in art market and academia. There have beenmanytheories about thistopic, and discussed that with concept of post-colonial criticism or culture studies etc., the purpose is to build and fulfill the frame and discussion of contemporary ink painting, In this article, author try to use the vision that build on the discussion with people who work in art market, and collectors, gallery managers or curators, try to provide some suggestions and paths to think about how it would be developed in future for the young artists, collectors and studies