在1960世代詩人中，經常被貫上「數位詩人」稱號的須文蔚（1966-），是華語世界數位詩創作的前衛實驗者。進一步觀察其整體創作，不難發現數位只是他的養分之一，更多則來自於對生命流變過程的觀察，歷史與現實的凝視，以及抒情傳統的觀照。就目前而言，其創作歷程可以大致分為三個階段：第一階段是出版《旅次》的1996年以前，這些作品顯現作者三十而立前，對人際交往、歷史視野與生命議題的觀察與書寫；第二階段是專注於數位詩創作的1997-2003年，這個時期的作品多以網路為載體，搭配相關網路文學論述，成為強而有力的前衛實驗。第三階段是2003年開始至今，致力於思考中國抒情傳統，也有了《魔術方塊》中精采的創作成果及相關的詩美學論述。

Amongst the poets from the 1960s, Wen-Wei Xu (1966-) who is often given the title as the “Digital Poet” is one of the avant-garde experimenters of digital poetry creation in the Chinese world. Further observing his creations, it is not hard to see that digit is merely one of the nutrients for him, but more are rather derived from survey towards life evolving process, the gaze at history and reality, as well as the observation of lyrical traditions. At present, his creative process may be divided into three phases: the 1st phase was prior to 1996 when the “Trip” was published. These works demonstrated the author’s observations and writings towards interpersonal relationships, historical perspectives and life topics at the age of 30. The 2nd phase was the years between 1997 and 2003, which concentrated on digital poetry creations. The majority of the works from this period used the internet as the carrier, with the assistance of relevant internet literature discussions to become the strong and powerful avant-garde experiment. The 3rd phase began in 2003 and has continued until the present, where he devotes himself to the thoughts of Chinese lyrical tradition, in which he attained the splendid creative results and relevant poetry aesthetics discussions in “Magic Cube”.