電視綜藝節目經常邀請客籍藝人上節目，討論客家人的硬頸精神、節儉習慣 等議題。這種現象表面上增加了客家族群在主流媒體中的能見度，但是許多相關 的内容設計粗糙，部分客家藝人甚至經常搶著把自己或族群的生活習慣當作「奇 聞」來爆料，反而加深了既有的客家負面刻板印象。本文透過布爾迪厄的理論， 探討電視綜藝節目製作場域等結構性的因素如何造成小鐘、澎澎等客籍藝人在演 藝圈力求表現的生存心態，也討論藝人在歷史文化的制約架構下，如何採取各項 策略，以面對電視場域權力掌控者施行在他們身上的象徵暴力。

Hakka TV entertainers have been frequently invited to be guests for TV talk shows, discussing Hakka values such as frugality and An-Gian ( which means perseverance) . It enhanced the visibility of Hakka people in the mainstream media. However, the stereotyping of Hakka conventions deteriorated Hakka images ironically. The phenomenon that Hakka entertainers besmirch Hakka ethnic groups indicates an unseen structure of TV programs. Through Bourdieu5s theory of Habitus, this study aims at analyzing the nature of Hakka representation as reflected in TV entertaining programs, and evaluating the impact of negative representation on Hakka ethnic group.