本文先就蕭先生寫景包含登山、臨水、遊覽等方面詩的意義解說。次言登山詩，例如〈龍首嵒雲海〉、〈巫山高〉、〈登黃山望奕仙峯〉等等詩，分別說明，並論析其結構、典故出處，以及感觸。而臨水詩例方面，則如〈汎大江即景〉，〈行次九江游甘棠湖〉，〈舟近宜昌市〉等等，亦論析詩之結構、典故出處，並論及「感今懷古」「寫景歎時」等要旨。遊覽詩例如〈廬山過東林寺〉、〈棲賢橋夜坐〉、〈阿里山道中〉等等，言其遊覽風物，分析結構，思念大陸等等。又，閑適詩如〈荒園〉、〈台北植物園賞新荷〉等，寫景中表現悠閒自在心情。末，總結本文，知作者借由寫景、描摹山水，或抒發個人性情，或表達思念舊鄉，眷顧大陸，或閑適心境，以現作者真情。

This paper begins with a discussion of Xiao’s life and experience as a poet, followed by an examination of the significance of his poems on such themes as traveling and visiting scenic places. Next comes an analysis of the structure, allusions, and feeling tone of his poems on the theme of mountain climbing, including Longshouyan yunhai, Wushangao, and Deng Huangshan wangyi xianfeng. The next section discusses the structure and allusions of his poems on the theme of water, including Fandajiang jijing, Xingci jiujiangyou Gantanghu, and Zhoujin Yichangshi. This section also touches upon such literary devices as reminiscence and scenery depiction. Next comes a discussion of the sights, structure, and yearning for the mainland of his poems on the theme of travel, including Lushan guo Donglinsi, Qixianqiao yezuo, and Alishan daozhong. The next section discusses how he creates a relaxed mood while depicting a scene in his poems on the theme of leisure, including Huangyan, and Taibei Zhiwuyuan shang xinhe. The final section is a discussion of how Xiao depicts scenery to convey his state of mind and longing for his native place, or else to express his leisurely mood. The paper concludes with a discussion of how his poems utilize rich transitions, ingenious allusions, and skilful digressions to move the reader.