傳統中國女性與旅行之間交集甚少，女性的旅行文本更為數不多，漢代班昭的〈東征賦〉一文，可視為中國第一篇女性旅行作品。本文嘗試以女性主義視角重新閱讀班昭〈東征賦〉，首先將針對中國紀行賦傳統做一爬梳整理，勾勒其中男性文人寫作特質，據此檢視班昭女性書寫中的繼承與變化；其次將專注在班昭〈東征賦〉中關於時間與空間的書寫，試圖分析班昭作品中特殊的自我建構方式及異於男性的女旅書寫風景。

This article analyzes time, space and Self-identity in Ban Zhao’s Travel Writing, “Tung-Zheng Fu” in light of contemporary feminist perspective. The study also reviews traditional men’s travel literature, so as to see the difference between the grand narratives of patriarchal literature and Ban Zhao’s writing. The case of Ban Zhao holds a significant place in women's literature as well as in Travel Writing; it also exemplifies women’s sense of time, space and self-identity in traditional China.