本文運用喬治*萊科夫（Gorge Lakoff)和馬克。約翰生 (Mark Johnson)著作fetap/iors (Fe Lhe如《我們賴以維生 的隱喻》中「Metaphors」隱喻的三個範_，重新延伸諸釋李 昂（1952-)《殺夫》與美國作家蘇珊*葛雷斯珮爾（Susan Glaspel 1,1882-1948 ) SSA Jury of Her Peers” 〈女陪審團 >兩篇女性殺夫小説$發現小説中不論是鹿城，陳宅或狄克生 郡，莱特家的容器隱喻，都揭露了家庭原是男性暴力橫行的場 域。小説中的方位隱喻挾帶著性能力、經濟力、權勢的昭示意 圖，這是男性本體經驗主宰權力以及性別政治裡男性霸權文化 的歷史基礎。女性殺夫小説除有尖銳的社會批判意義外，手刃 親夫的驚駭行動》積極呈現女性對第二性處境的覺醒，但也消 極地指明兩性衝哭不得不以「殺人」方式終結的困局。在層層 叠疊方位隱喻（orientationa丨metaphor )、本體隱喻 (ontological metaphor )與結構隱喻（structural metaphor)呼應與串連的架構下，一再直指父權體制下「婚姻 是女人的災難」的警世隱喻。「女性小説」展現女性「身體、 主體、文本」三位一體的書寫文本，探索「殺夫」小説的隱喻世界5正可作爲一個簡要切入點，追索男性文化「宰制權力」 的禍首根源，對「父權」、「男尊女卑」意識型態的解碼應具 特殊的意義。

Using three metaphor scopes (orientational, ontological and structural) from Gorge Lakoff and Mark Johnson's Metaphors We Live By, this article examines Li Aug's The Butcher's Wife (李昂，《殺夫》）and American novelist Susan Glaspell's "A Jury of Here Peers," and draws a conclusion that home is a field where man's violence prevails. The orientational metaphor contains a man's sexual ability, economic ability and power, which form a historical basis of male hegemony that has come to dominate in power and gender politics. The fictional work with killing-husband theme not only criticizes society acutely, but also awakens female readers through a presentation of the heroine's shocking behavior of killing husband. However, the theme of "killing-husband" also implies the invalidity of ending family conflicts by "killing.n By using orientational, ontological and structural metaphors, this article focuses on the metaphor "marriage is female's disaster under the patriarchy system." Novels by female writers show a context of combining "body, ontology and text." This paper uses the metaphorical world of killing husband as a point of departure and goes on to discusses the source of Chinese and Western male culture of "dominating power." This line of investigation will be significant for the analysis and deconstruction of the ideology of "patriarchy" and "man dominating woman."