本文所要探討的是艾倫．卡布羅（Allan Kaprow, 1927-2006）在其非藝術觀中， 從作品形式到作品模式概念的轉變，其模式概念所開啟的是另一種有別於過去作品的 創作態度與既定藝術觀點。而藝術創作「模態」觀點，則是筆者由探討卡布羅模式概 念所延伸，為一種相對於創作形式的創作模態觀。本文將分為三個部分對卡布羅的創 作模式概念進行探討，它們分別是：一、卡布羅非藝術觀之探究，目的在釐清卡布羅 的非藝術觀與一九六○、七○年代普遍的非藝術概念兩者之差異；二、關於「形式」 概念於創作上的問題，針對創作史料脈絡中的案例分析比較形式思維與新興作品間的 概念差異，以及卡布羅在一九七四年以「模式」分析作品，對於前述問題所做的間接 回應；三、由創作模式概念到創作模態觀的討論，藉由卡布羅分析作品案例所提到的 模式觀點，進一步討論藝術創作模式所形構出的創作模態思維之可能。

This research is going to discuss Allan Kaprow's view of non-art, the concept transfer from form works to model works pattern, bringing a contrary creation manner and point of view which differ from the past. And the art creation viewpoint "Modality" here is extended by Allan Kaprow's Model, unlike creative model from general creation form. This research will divided into three aspects to carry on the discussion of Allan Kaprow's non-art creation model, they will respectively be: A. To study Allan Kaprow's non-art viewpoint: to identify the different concept views between Allan Kaprow's non-art and popular non-art of the 1960's and 1970's. B. About the questions of creation concept "Form": research and analysis historical creation data case, sum up and compare their different concepts and form thoughts between those works up-to-date. Here also study on Allan Kaprow's indirect response regarding to these questions mentioned above based on "Model" pattern in 1974. C. Discussion from the creation pattern concept to the creation modality view: base on the pattern viewpoint of Allan Kaprow's analysis in creation working cases, then further discusses the possibility of creation modality thought which the artistic creation pattern form constructs.