本研究以地景敘事的理論及方法，運用民族誌的田野研調和故事採集，實驗性建構一則臺北社子島的地景文本。不同於一般地方文史的線性書寫，地景敘事體的敘事策略和開放結局刻意融入常被歷史忽略的微敘事及生活情節，甚至從文化政治的觀點關照被地方權力關係及總體規劃排除的他者。社子島的地景敘事以卷軸的方式開展，探索開發當道的主流論述下居民的社會處境及現存聚落的空間現實，並由根與路徑的辯證，引發地景敘事建構作為行動研究、甚或地景規劃設計模式的可能。

This research is grounded on the theory and methodology of landscape narrative, and employs ethnographical fieldworks and story collection to experimentally construct a landscape text of Taipei’s Shezi Island. Dissimilar to the linear writing of general chorographic history, the narrative strategy and open-end nature of landscape narratives intentionally incorporate pico-narratives and plots of everyday life that are often overlooked by the grand narrative of history, and pay special attentions to the excluded others of local power relations and master planning from the perspectives of cultural politics. The landscape narrative of Shezi Island unfolds through a long scroll to explore the social conditions of the local residents and the spatial realities of extant settlements, and, via the dialectics of roots vs. routes, bolsters the possibilities of constructing landscape narratives as a mode of action research or of landscape planning and design.