回顧歷史，從故宮文物西遷、南遷歷程的角度而言，北溝故宮是文 物在戰火裡流離的最終一站；從故宮在臺北復院的角度而言，北溝故宮 是現今臺北故宮的前身。北溝，不僅是連結歷史的臍帶，也是延續國民 政府遷臺後「道統」的重要命脈。 故宮文物在北溝期間為1950年至1965年，此後一度廢棄閒置，後有 臺灣省電影製片廠、省立臺灣交響樂團進駐，以及設置臺影文化城，直 到九二一地震受災後荒廢至今。荒蕪的北溝已經日漸為臺灣人們所遺 忘，但多年以來，中國CCTV、香港鳳凰衛視、日本NHK等媒體，絡繹 不絕尋訪神秘的北溝舊址，但面對臺灣的冷漠，以及目睹眼前景象，往 往徒增浩歎，令人不勝唏噓。 終於，在2014年故宮文物首度赴日本展出前夕，從臺灣草根民主力 量出發，再次掀起文化資產保存的歷史波瀾。雖然北溝故宮文物典藏山 洞業已登錄為「歷史建築」，但北溝故宮何去何從？不論從政治意涵及歷 史定位，或者從城市區域發展方向，到土地法制如何解套等，還有漫漫 長路等待努力。

From the perspective of flight from China the Beigou Palace museum is the last stop on this difficult passage from Beijing to Taiwan, from the perspective of the renewal of the Palace museum in Taipei, the Beigou Palace museum is the predecessor. The Beigou Palace museum is not only a connection to history, it symbolizes the claim of the Chinese National government to represent Chinese orthodoxy. The Beigou Palace museum existed from 1950 until 1965. Afterwards the site was used by Taiwanese film producers, the Taiwanese Symphony Orchestra and then turned into the Taiwanese Cinematography Park. Since the earthquake in 1999 the site lies in ruins. Forgotten by the Taiwanese, international interest has been strong, with television crews from mainland China, Hong Kong and Japan visiting. Since 2014 a local grassroots movement has taken interest again in the historical circumstances of the Beigou Palace museum to reinstate its historical and political meaning.