漢字作為華夏文明的母體，既是解讀古文化的鑰匙，也是創造漢文化視覺符號的 核心元素，而「女書」文字也是其家族中一員，「女書」不僅是世界上唯一的女性文 字，其蘊含著豐富的文化內涵和美學價值，從語言學與歷史學角度對「女書」的研究 較多，但從造字構形角度的研究較匱乏。因此，本研究透過文獻探討與「女書」作品 之分析，意欲探討三個主要目的：1. 透過《說文解字》中的「六書」法則，分析其在 「女書」造字之應用。2. 從「六書」造字法則解構「女書」文字，藉由漢字與「女書」 文字構形的聯繫，解讀其字形構件與審美特徵。3. 從造字構形法則探討「女書」文字 在視覺設計與字體設計中之應用。「女書」在設計方面的價值不能僅僅停留在對「女 書」文字本身的研究上，而應該更多地關注於如何運用其造字構形法則融合到設計之 中。本研究的研究結論如下：1. 「女書」文字應用了「六書」中「象形」、「會意」、「形 聲」、「假借」的造字法則。2. 「女書」文字構形為弧線筆劃為主，為其字形風格增添 形式美感。3. 運用「六書」造字法則進行漢字的創新設計，是將漢字解構回字形構件 的基本形態，並結合全新的視覺元素進行二次創造的設計方法。4. 「六書」造字法則 應用於現代「女書」視覺設計：①「象形」以形寫意；②「會意」元素重組。字形構 件應用於「女書」字體設計：①主次筆畫；②上緊下松；③重心調整。

As the mother of Chinese civilization, Chinese characters are not only the key to understand ancient culture, but also the core element to create visual symbols of Chinese culture. "NuShu" is also a member of the family."NuShu" is not only the only female script in the world, but also contains rich cultural connotation and aesthetic value. There are more studies on "NuShu" from the perspective of linguistics and history, but less studies from the perspective of word-making configuration. Therefore, this study intends to explore three main purposes through literature research and the analysis of "NuShu" works: 1. Analyze the application of "six books" in "NuShu" through the "six books" principle in "Analytical Dictionary of Characters". 2. Deconstruct the "NuShu" from the "Six Books" rule, and interpret its glyph components and aesthetic features through the connection between Chinese characters and the "NuShu" character configuration. 3. Discuss the application of "NuShu" in visual design and font design from the principle of word formation. The value of "NuShu" in design should not be confined to the study of "NuShu" itself, but should pay more attention to how to integrate them into the design by using its rules of word formation. The conclusions of this study are as follows: 1. The character "NuShu" applies the rules of "pictographic", "knowing", "pictographic" and "loaning" in "Six Books". 2. The "Women's Calligraphy" is shaped like arc strokes, adding formal beauty to its style. 3. The innovative design of Chinese characters by using the "Six Books" principle is a design method that deconstructs the basic form of the Chinese character's zigzag component and combines the new visual elements for secondary creation. 4. There are two inspirations to the visual design of modern "NuShu" through the law of writing characters: ① Pictograph to form freehand brushwork; ② Reorganization of "knowing" elements. There are three inspirations to the font design of "NuShu" from the glyph components: ① Primary and secondary strokes; ② Tighten and loosen; ③ Adjustment of center of gravity.