王雪濤做為現代花鳥畫領域的代表畫家之一，其藝術成長經歷與二十世紀早期的藝術思潮息息相關。王雪濤於1922年考入國立北京美術專門學校（北平藝專前身）西畫科，後轉入國畫科並結識了齊白石、王夢白等畫壇名家，他曾深入學習此二人的花鳥畫風格，又因接觸聞一多、吳法鼎及法籍教員克羅多（Andre Claudot）1等西畫教授，其對西畫觀念及技法有了新的理解，並在王夢白的引導下重視觀察與寫生的訓練，與此同時開始上溯傳統，研習明清花鳥畫，將水墨畫的傳統與西畫的表現技法相融合，本文主要通過藝術風格學的研究方法梳理王雪濤與齊、王的藝術師承關係，同時進一步分析王雪濤花鳥畫藝術在造型、構圖、墨色、意境等方面的風格特徵。

As a representative in the field of modern flower and bird painting, the growth experience of Wang Xuetao in arts is closely related to the artistic trend of the early 20th century. Wang Xuetao was admitted to the Western Painting Department of the National Beijing Fine Arts School as the predecessor of Beiping Art College, in 1922. Later he transferred to the Chinese Painting Department and got acquainted with some famous artists such as Qi Baishi and Wang Mengbai, who he had studied the style of flower and bird paintings from. The contaction with Wen Yiduo, Wu Fanding and French teacher Andre Claudot and other Western painting professors made him have a new understanding of the concepts and techniques of western painting under the guidance of Wang Mengbai and attached importance to the training of observation and sketching. At the same time, he began to trace the tradition, and studied the flowers and birds paintings of Ming and Qing Dynasties, combining the tradition of ink painting with the performance techniques of Western painting. This paper mainly studies the mentoring relationship between Wang Xuetao and Qi and Wang by researching the artistic style, and further analyzes the style and characteristics of Wang Xuetao's flower and bird painting in style, composition, ink color, artistic conception, and the like.