形成宗白華美學思想的資源非常豐富，除了德國古典美學外，有中國古典哲學的主要經典，在《老子》、《莊子》、《詩經》、禪宗外，《周易》的生命哲學，更是他思想的根源。本文旨在將其美學的核心命題，如「化景物為情思」、「生命節奏」、「宇宙節奏」、「虛實相生」、「幽情壯采」……等，與《易》之文本，特別是《易傳》哲學性的命題，做交叉聯結，且予以互詮，凸顯構成其意境美學的《周易》元素。

Zong Bai-hua’s aesthetics has both the German classic aesthetics and the texts of Chinese classical philosophies as its origins. Other than Laozi, Zhuangzi, Book of Poetry and the Zen School, the life philosophy of Zhou Yi was more like the roots of his thoughts. This article is meant to make cross-references and cross-interpretations between the central topics of Zong Bai-hua’s aesthetics----transforming sceneries into feelings, the tempo of life, the tempo of the universe, the mutual generation between fiction and reality, subtle feelings and spectacular writings---and the texts of Yi, especially the philosophical propositions of Yi Zhuan, highlighting the elements of Zhou Yi that construct his realm aesthetics.