本研究以臺灣第一份舞蹈期刊《民族舞蹈》月刊探究1950年代舞蹈論述文本。本文屬舞蹈史學跨域研究，由史料結合語言傳播學van Dijk（范・戴克）論述語意「意識形態論述結構」進行月刊論述交叉分析，企圖由月刊發行時的社會脈絡，重現台灣光復後舞蹈發展。研究結果發現：「意識形態論述結構」是一項透過論述產生證據來澄清思想價值的系統化研究策略。經《民族舞蹈》月刊的會員資格、活動、目標、規範、關係與資源等六項結構分析結果，發現當時的舞蹈實踐例證是透過知識建構、二元評論與固定式教學設計，而月刊的教育立場，為臺灣舞蹈事業起了承先啟後的重要地位。

This study aims to explore how Taiwan’s first dance journal, “Chinese Folk Dance” Monthly (1958-1961), presents the dance discourse texts of the 1950s. This article is a cross-domain study of dance history. We combined by historical materials and van Dijk’s “Ideological Discourse Structures Analysis” for the cross-analysis of the monthly magazine, in an attempt to reproduce the post-war Taiwanese dance appearance in the social context of the monthly publication. The findings are drawn as follows." Ideological Discourse Structures " is a systematic research approach that clarifies the value of ideas through the evidence generated in discourse. In the six structural analyses on Membership, Activities, Aims, Norms, Relations and Resources in “Chinese Folk Dance” Monthly, the dance practice at that time was instantiated through the editing of knowledge construction, binary commentary, and framed instructional design. The educational position of the monthly magazine has played an important role in promoting the dance industry in Taiwan.