本卷期文章目次

• Imaginary Conquests: Folktales, Film, and the Japanese Empire in Asia / Richard M. Davis
• Writing in My Voice: Four Modalities of Myth-Writing in Taiwanese Indigenous Sinophone Literature / Dirk Kuhlmann
• Satirical Fantasy and Idiom Literalization in Zhang Henshui’s A New Tale of Killing Ghosts / Yiran Chen
• Introduction Hong Kong Independent Cinema in the Post-Handover Era / Kenny K. K. Ng
The Ten Years Phenomenon: Promises and Perils of Politically Engaged Cinema in Hong Kong / Vivian P. Y. Lee
Looking through My Fly’s-Eye View: Chan Tze-woon’s Documentary of the 2014 Umbrella Movement / Kenny K. K. Ng
Of Activism and the Land: Ecological and Utopian Visions of Post-Handover Hong Kong Documentaries / Winnie L. M. Yee
Too Much Reality? Reflections on the Educational-Observational Film World of Tammy Cheung and Augustine Lam / Mike Ingham
A Turn to the Politics of Place in Hong Kong Independent Documentaries / Enoch Yee-lok Tam
Taiwan’s Postcoloniality and Postwar Memories of Japan / Liang-ya Liou
Nawal El Saadawi on Female Genital Cutting and Women’s Rights in Woman at Point Zero and Searching / Chia-Ling She
The Quotation of A Portrait of the Artist as a Young Man and the Transformation of the Catholic Church in Patrick McCabe’s The Holy City / Yi-ling Yang
The Uncelebrated Nonhuman Citizens of Nature in Emily Dickinson’s Writings / Mei-shu Chen
Authority of Poetic Voices in The Prelude: Wordsworth’s Re-writing of Revolutionary Experiences / Chia-Jung Lee

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