上個世紀末，旅行文學開始大量崛起，蔚為現代文類中的顯學。本論文擬以舒國治的〈香港獨遊〉為分析對象，在於此文為1997年第一屆華航旅行文學獎首獎，有其時代的意義，更何況舒國治觀察香港的角度，有別於傳統刻板印象的認知，並不著重在美食與購物天堂的描繪。如透過寫作修辭策略的分析，不難察覺，舒國治不僅止於書寫香港表面上的「雙重」面貌，諸如西式的模樣「廣東化」，甚至是華洋並行的狀態，而是意在進一步提煉出其旅行的意義。換言之，是透過香港繁華的映照，而得出另一面的寂寞滄桑，亦即人生獨遊的況味。

At the end of the last century, Travel Literature has become a trend, and it is a mainstream of the modern literature now. This study intend to analyzes “Travel Alone in Hong Kong “ by Shu Guozhi, because it is era significance that this article has won the 1st prize of the 1st China Airlines Travel Literary Awards in 1997, not to mention Shu Guozhi observes Hong Kong is totally different from the cognition of traditional stereotypes, he didn’t emphasize the importance of the shopping’ paradise and the delicious foods. If you analyze from the rhetorical strategy, it’s not hard to find that Shu Guozhi is not only writing the appearance of the “dual features” of Hong Kong, such as Guangdongized western style and paralleled China-foreign mode, but also intend to refind the meaning of traveling. In other words, it passed through the prosperous in Hong Kong that reflects the other side of loneliness and vicissitudes, which is the condition of traveling alone in life.