作為具有民族特徵的詩歌創作類型，「民族成分」、「語言」、「題材」是界定現代文學維度下少數民族詩歌詩歌屬性的三項標準。現代維度下的廣西少數民族詩歌由於地域、傳統等原因使然，其民族敘事詩的民族書寫模式不僅較早誕生，其以民族神話、傳說為原型的現代少數民族詩歌創作模式就深刻地影響著中國少數民族詩歌創作的創作與發展。在廣西三代少數民族詩人既傳統又現代的創作視野之下，1949年以來廣西少數民族詩歌的現代探索與時代流變在很大程度也展現了中國少數民族詩歌和現代漢語詩歌的當下與未來發展可能。根植於民族傳統和本體之內的廣西少數民族詩歌，既以一種傳統與現代的共同體價值，與民族地域、民族精神及現代漢語詩歌發生雙向的生成關聯，在很大程度上也有望為已有百年發展歷史的現代漢語詩歌孕育著新的發展可能。

As a type of poetry creation with the national characteristics, “national composition”, “language” and “subject” are the three criteria to define the attributes of minority poetry in the dimension of modern litera-ture. Because of special region and tradition reasons, the national writing mode of Guangxi minority poetry in modern dimension was born earlier, and its modern minority poetry creation mode based on national myth and legend, has a profound impact on the Chinese minority poetry. From the perspective of both traditional and modern creation of the three genera-tions of minority poets in Guangxi, the modern exploration and evolution of Guangxi minority poetry have also shown the possibility of the present and future development of Chinese minority poetry and modern Chinese poetry to a great extent since 1949. It is rooted in the national tradition and Noumenon, is not only related to the national region, national spirit and modern Chinese poetry with a kind of traditional and modern community value, but also gives birth to a new development possibility for the modern Chinese poetry, which has a history of development for a hundred years.