本文以在臺馬來西亞華裔女作家馬尼尼為的圖文創作為研究個案，其創作基調源於賤斥母職、賤斥新家園。《帶著你的雜質發亮》（2013）至「隱晦家庭系列」繪本（2016）、《沒有大路》（2018）逐步形成異端母職論述。本文的討論有三：一、轉換「在臺馬華文學」作家框架為「在臺馬華婚姻移居」作家，於馬華文學中納入婚姻移居女作家，再現其漂移主體；二、以源發「賤斥」的創作欲力，詮釋其高舉「因為恨，所以創作」的創作動機。作家提出本能創作、垃圾技法、不完整性、專業與生活合流四者為創造型母親的策略。三、生存異地因母職而荒廢多年、缺乏人脈的新住民藝術家，使用網路募資及仰賴小出版社，有效改善發表空間，當視為「小眾文創」的能動力表徵。

The case study of this paper is the graphic-text composition of Manini-Wei, a Malaysian female author and a Taiwanese new immigrant. The keynotes of her creation theme are abject motherhood and adaptation to a new homeland. In Shining with Your Impurity (2013), Obscurity Family picture book series (2016), and No Avenue (2018), she forms her discourse of “Heretic Motherhood.” This particular study focuses on the following issues: (1) How her transformation from a Chinese literature writer in Malaysia to a Malaysian immigrant writer in Taiwan is achieved through her marriage, and how this transformation represents her expatriation; (2) Wei’s creative mantra, “I hate so I write,” will be interpreted with the theory of abjection to understand the origin and development of her creativity. Wei’s theories of creation (instinct creation, trash technique, incompleteness, interflow of professional and everyday life) are examined as a strategy to maintain the existence of a creative mother; (3) How Wei, who lacked social network due to her motherhood and being a foreigner, was able to raise funds for her picture book publication will be taken as a strategy to improve the publishing space and is representative of “minority creation” in the publishing industry.