任何一種文學作品，創作內容與作家個人生活遭遇，息息相關，後人透過作品閱讀，間接了解作者生平事蹟、思想內涵，乃至於交遊狀況、日常生活等各個面向。詞雖為宋代新興之文學體裁，仍被視為「小道」文學，作「遊戲」之用，因此許多「生活化」、「世俗化」之議題，便成為填詞所承載之內容。且詞之長短句體裁較詩歌靈活，更能表達文人真切情感與生活點滴，而其音樂性，不僅附帶娛樂功能，也參雜了享樂意識。陳著生存於南宋末之戰亂時空，國族的消亡，使陳著心境產生變動。本文將以陳著《本堂詞》為探討對象，透過對其詞作之分析，一方面深入了解陳著亡國前後之生活與思想，了解文人賦予詞作之內在生活樣貌；另一方面則審視其詞作之風格特色，企望從中探討詞體對於宋代文人生活之記錄與價值功用。

Creation content of all kinds of literary work is associated with the writers’ personal life and experience. By reading the work, the later generations indirectly recognize the writers’ different dimensions such as life, thinking, relationship and daily lives. Although Ci was new literary genre in Song dynasty, it was regarded as “insignificant” literature and part of “games”. Therefore, more “down-to-earth” and “worldly” issues become the content of Ci. In addition, long and short lines of Ci are more flexible than poems and they are more likely to express the literati’s sincere affection and details of lives. The melody is not only entertaining but also hedonic. This study treats Che Chen’s Ben Tang Ci as the subject and by analysis of his work, it recognizes Che Chen’s life and thoughts and review his style and characteristics of Ci. In addition, it breaks through mainstream Ci writers and reviews multiple dimensions of Ci work. Through a Song Ci writer who has been neglected for a long time, this study not only recognizes the literatus’ inner life in the work and his creation technique of Ci, but also explores the recording and value functions of Ci for literati’s lives in Song dynasty.