岸春風樓所譯之《新譯紅樓夢》成書於大正五年（1916)，從〈例言〉可知，此書原欲以三冊的份量將百二十回全數譯出，是最早欲翻譯百二十回本的《紅樓夢》日文譯本。該書今僅存上冊，譯出《紅樓夢》前三十九回的內容，後二冊今未見，原因不明。然但此譯本的問世，與明治至大正初年前的《紅樓夢》日譯本為單回節譯的現象相較，仍是一大突破。本論文先從《新譯紅樓夢》的譯本性質重新歸屬與定位，得出其為具有「全譯本雛形與視野的節譯本」之譯本性質。其次則從「翻譯形式與出版規劃」、「新立各卷標題」、「重新勾勒全書主線敘事」等三大層面，論述此譯本之有別於前代譯本的特殊性。最後，則從《紅樓夢》在日本的翻譯與流播情形，分析《新譯紅樓夢》對於《紅樓夢》在日本經典化的過程中所代表的重要意義。經過以上綜合分析，可得出岸春風樓《新譯紅樓夢》是考量了讀者興趣與期望《紅樓夢》在日本普及流傳等目的而生的譯本，在《紅樓夢》日譯史中，除奠定後世譯出全譯本外，亦成為《紅樓夢》在曰本經典化過程中的重要譯著。

The “Shinyaku Kōrōmu” translated by Kishi Shunpūrō was published in the 1916. From the preface, we can see this book’s original plan was use 3 volumes to translate all of the “Dream of the Red Chamber”. Therefore, this translation is the first want to translate all of the “Dream of the Red Chamber” in Japan. But, today this translation is only the first volume can see, the latter two volumes have not been seen the reason is unknown. However, this translation’s published is a major breakthrough compared to the phenomenon that the Japanese translation of “Dream of the Red Chamber” in the Meiji to Taisho period was a single-reverse translation. This thesis first re-attributes and locates the nature of the translated version of “Shinyaku Kōrōmu”, and concludes that it is a translated version with the “full version of the prototype and the vision of the section”. Secondly, it discusses the special characteristics of this translation that are different from the previous generations in terms of three major levels: ‘translation format and publication planning’, ‘new title of each volume’, and ‘re-drawing the main narrative line of the whole book’. Finally, based on the translation and circulation of “Dream of the Red Chamber” in Japan, to analyze the significance of “Shinyaku Kōrōmu” for the classicization of “Dream of the Red Chamber” in Japan. After the above comprehensive analysis, we can be concluded that the “Shinyaku Kōrōmu” by Kishi Shunpūrō is a translation that takes into account readers’ interests and expectations for the popularization and spread of “Dream of the Red Chamber” in Japan. In addition to the full translation, it has also become an important translation of “Dream of the Red Chamber” in the process of Japanese classicization.