「纏花」是以絲線繞合在紙片和鐵絲上，由多片花葉組成的手工造花，客家族群稱此藝為「纏花」，閩南族群則稱為「春仔花」，由於地域差異與人文背景不同，閩南春仔花與客家纏花各發展出獨特的風格。早期客家纏花應用範圍相當廣泛，而閩南纏花在婚禮習俗中扮演相當重要的角色，如今此項精緻的工藝技術因為時代變遷，工商社會講求速度、時效的當前，年輕人對於傳統文化藝術的忽略，導致客家精緻纏花技術幾乎失傳。本研究以傳統工藝-纏花與婚紗服飾結合創新做為研究背景，經由瞭解纏花的歷史及傳統意義，去探討如何以纏花技藝應用於婚紗服飾設計，並透過文獻探討與整合分析，將纏花工藝結合現代服飾品設計的概念設計研發兼具文化藝術性與現代實用性之婚紗服飾，期能振興傳統纏花工藝的技法，使文化與現代彼此相依相存的永續下去，整體之設計過程及創作成果，提供相關研究者及產業有不同之造型設計思考。

" Twined flower " are hand-made flowers that made of silk and wire on a piece of paper and wire. some calls it "spring flowers", others called " Twined flower ", due to the region and the culture differences. Spring flowers and Hakka Twined flower have developed in different style. In the early days, the application of Twined flower was quite extensive, and in southern Fujian it played a very important role in the wedding customs. Nowadays, this exquisite craftsmanship is changing during the time pass , the industrial society is demanding speed and timeliness, and the traditional culture is ignored by the young generation are be concerned about , it cause the Hakka Twined flower technique was almost lost. This research takes the traditional "Twined flower" and fashion costumes as the research background. By understanding the histoical and traditional significance of the Twined flower, we will explore how to use the wrapped flowers techniue in the wedding dress design, and through literature discussion and integration analysis, the flower-wrapped craft combines with the concept design of modern costume design to develop the wedding dress with both culture and art and modern practicality. It can revitalize the traditional technique of Twined flower and make the culture and modernity depend on each other forever. The process and overall design are provide different styling considerations for relevant researchers and industries.