鑑於目前國內對西拉雅平埔族刺繡工藝，鮮少有相關的論文專述或研究資料，相關書籍大多數偏於文史資料之研究，在缺乏刺繡技術與紋飾配色之分析紀錄，以及繡品保存不易下，導致失傳。在沒有文字紀錄以及對於傳統已經陌生的族群後裔，透過文物物件的紋飾研究，有助於建立傳統文化的脈絡與演變。本研究以葫蘆墩文化中心館藏的20件繡品，在有限的文獻和物質文化研究下，透過館藏繡品紋樣的分析與刺繡技藝與色彩紋樣的系列分析，完整記錄了當年使用的繡樣、圖紋與色彩透過有限的文獻和物質文化研究下，分析館藏繡品紋樣的分析與刺繡技藝與色彩紋樣的系列分析，完整記錄了當年使用的繡樣、圖紋與色彩。

In view of the current domestic embroidery process for Siraya pingpu, There are very few related articles or research data, Most of the related books are research on literature and history data, in the absence of embroidery technology and decorative color analysis of the record, as well as the preservation of embroidery is not easy, resulting in lost. In the absence of written records and the traditional and unfamiliar ethnic descendants, through the object of cultural relics research, help to establish the traditional culture of the context and evolution. This research takes the Taichung Cultural Bureau Huludun Center collection's piece embroidery , under the limited literature and the material culture research, through the collection embroidery pattern analysis and the embroidery technique and the color Patterns series analysis, the complete record the year used embroiders the kind, Pattern and color through the study of limited literature and material culture, this paper analyzes the analysis of embroidery patterns and the series analysis of embroidery techniques and color patterns, and records the embroidered samples, patterns and colors used in the year.