中國網路玄幻小說以其豐富夸誕的空間書寫吸引讀者目光，透過宇宙觀的建構與人物遊歷，我們可以發現創作者往往前有所承，卻又能從志怪、神魔、仙俠等小說傳統中另鑄新意。本文即透過作為敘事動力的空間進行考察，指出宇宙觀可分為上下、水平與洪荒三種模式，分別指涉位階秩序、異文明衝突與同源分化，部分文本則有混雜使用的現象。
依照文類特色，玄幻小說最終目的是脫離桎梏，修煉成仙（神），從體內關卡到外在環境，舉凡進出、突破、跨越，都與空間密切相關。其中最重要的概念是連接空間的閾門，作為溝通渠道，唯有完成特定考驗，才能完成尋寶、提升修為、飛升等一連串前後相承的情節。因此，人物藉由感官去體知周遭環境的細微變化，並且和空間發生互動，是敘事極為關鍵的環節，影響最後結果的成敗。

Spatial narratinive of the Chinese fantasy novel on the web is the Fucus to catch reader’s eyes. We can know that novelists construct cosmology and Characters’ actions by Mythical, Deities and monsters texts, Cultivate into immortals novel. On this basis, they grow some new ideals. This papers discuss the new ideas about Spatial narratinive of the Chinese fantasy novel on the web. Point out the cosmology Can be divided into three types: Upper and lower structure, Parallel structure , primeval structure. The above three structures represent Status order, Clashes of different civilizations , Development from primeval. Regularly, novelists mix all structures to Write content.
According to genre characteristics, The final goal of the Chinese fantasy novel on the web is Immortality. In order to achieve such a purpose, Characters need to break through the Space inside and outside the body. After a series of trials, including exploring treasure hunts and improving the physical and soul qualities for rising to a higher level space, Characters pass through a liminal to reach other space. That Means complete all trials. In the process, characters must be aware of subtle changes in the environment with their senses to avoid failure. In short, the interactive relationship between characters and space is an important key to the analysis of Chinese fantasy novels on the web that can’t be ignored.