對於修仙，歷代文人墨客留下了大量的出塵想像，而通俗文學和民間口傳中更有數不盡的瑰麗傳說，加之當代已有的修仙小說乃至部分修仙題材影視、遊戲作品的影響，形成了一個內容豐富但結構散亂甚至內部自相矛盾的巨大文化空間。昆侖與蜀山是當代修仙小說中常見的道門類型，其背後各有一支具有典型性的悠久文學或文化傳統，本文嘗試通過對這兩個形象的淵源梳理揭示修仙小說的文本傳統可能，而《太浩》、《鎮魂》、《仙葫》、《羅浮》、《修真世界》等當代修仙小說中對兩個道門的具體使用，向我們提示了不同作者對修仙的理解差異以及各自的情節設計。

Daoist cultivation has been the subject of a great deal of imagination by writers and scholars throughout the ages, as well as countless magnificent legends in popular literature and folk oral traditions, which, together with the influence of contemporary immortal fictions and even some immortal-themed films and games, have created a rich but chaotic and even internally contradictory cultural space. Kunlun and Shushan are two common Daoist Monasteris in contemporary immortal fiction each with its own typical long literary or cultural tradition. This paper attempts to reveal the textual traditions of immortal novels by examining the origins of these two images. Meanwhile the specific use of these two Daoist Monastery in contemporary immortal novels such as Taihao, Zhenhun, Immortal Gourd, Luofu, and the World of Daoist cultivation suggests to us the differences in the authors' understanding of immortality and the design of their respective plots.