1987年發表之〈抗暴的打貓市〉是戰後現代台語小說的先鋒之作，宋澤萊在其中以複雜的文學技巧、先行於時代的美學，呈現出對政治、人權以至於民族議題的關懷；並且，此作也是宋澤萊「台語文學論」的徹底實踐。本文從宋澤萊的文學論述出發，探討其如何以人權文學論、民族文學論為基礎，發展出「台語文學論」；再分析〈抗暴的打貓市〉一文之主題關懷與意象運用，最後申論宋澤萊的創作如何印證其文學理念。本文主張，宋澤萊的「台語文學論」與其人權文學論、民族文學論為一貫思考，且因文學語言的特殊性，具備更加基進的意義。〈抗暴的打貓市〉在內容與形式上都是宋澤萊文學論的實踐，其在宋澤萊創作史以及台灣文學史上的定位，值得進一步被重視與肯定。

Published in 1987, “Khong-pō e Tann-niau-tshī” is a pioneering work of postwar Taiwanese novel. Not only did Song T_k-lai (Song Ze-lai) express his concern about politics, human rights and ethnics with elaborate writing skills and advanced aesthetics, this work was also a complete practice of Song T_k-lai’s “Taiwanese literature theory.” This article starts from Song’s literary perspectives and explores how he developed “Taiwanese literature theory” on the basis of human rights literature theory and national literature theory. Then, the topics and images of “Khong-pō e Tann-niau-tshī” are discussed. Lastly, this article explains how this work well corroborates Song’s literature theories. This article argues that Song’s Taiwanese literature theory shows consistency with his human rights literature theory and national literature theory; furthermore, the use of Taiwanese makes it even more radical. “Khong-pō e Tann-niau-tshī” is a practice of Song’s literature theories, both in contents and in form, and its importance in Song’s writing history and Taiwanese literature history should be revalued and further recognized.