張我軍（1902-1955）從日治至戰後活躍於臺灣、中國兩地，其書寫呈現了殖民地青年的文化視域與中國觀察。終戰後他不僅積極參與臺灣省旅平同鄉會，1946年更返臺就職臺灣省教育會。戰後張我軍的書寫類別分為時論和散文隨筆，前者為關於政府政策的論述，後者為描繪臺灣風物的遊記、散文，內容穿插中國經驗參照，包含對臺灣現狀的失落與北京舊時生活的回味。張我軍的戰後文本可謂解讀戰時中國、戰後臺灣與離散臺灣知識分子狀況的重要參考。由生命經歷、文本題材、創作時點等角度，皆顯示張我軍書寫之於跨越1945年臺人生命史的考察意義。論述架構上，首先以終戰後張我軍臺灣同鄉會活動為軸線，進行中國經驗與戰後時論之研討，呈現戰後初期作家置身中國的活動狀況與文化思考；再者，爬梳張我軍對戰後臺灣社會樣態的觀察書寫，尤其是空間移動和記憶再現的感知互涉。本文由張我軍戰後書寫的考察，析論其歸返前後所建構的臺灣圖景與記憶、認同之關係，掌握跨域臺灣知識分子的敘事模式與精神樣貌。

In his life, Wo-chun Chang lived in Taiwan and Mainland China. During his lifetime, which spanned through the Japanese occupation period, the Second World War, and the post-war era, he had always been active in cultural activities. His writings represent the cultural life of the colonial youth and his observation about China. In 1945, he joined the Association of Taiwanese Provincials in Beijing. In June 1946, he returned to Taiwan. His writing after the war primarily comprises political commentaries and essays. Whereas his political commentaries are discourses about government policies, the core of his creation is the travelogues and essays he published in business magazines. In these articles, he wrote about Taiwanese customs and objects, his experiences in China, as well as his disappointment in Taiwan’s status quo and his reflection on his old life in Beijing. Therefore, the postwar cultural activities of Chang serve as critical references for understanding wartime China, postwar Taiwan, and the situations of Taiwanese intellectuals returning to Taiwan from Mainland China. His life experience, and the topics and timing of his writing, all reflect the meaning and his observation of the life history of Taiwanese people before and after 1945. Regarding the narrative structure of this paper, it adopted the establishment of the Association of Taiwanese Provincials in Beijing in 1945 as the central axis, and incorporated the daily life Chang portrayed, to represent the life of Chang in early postwar China. Subsequently, this thesis organized Chang’s observation of the societies of postwar Beijing and Taiwan, especially his sensual thinking on spatial movement and memory representation. Using postwar Chang as the scope of discussion, this paper reflects the spirit and the narrative in identity before and after intellectuals from excolony returned to Taiwan.