本文簡要論述民國初年上海的舊派文人在大世界遊樂場這個特殊的現代空間中的觀影活動與相關的影戲小說創作。通過分析影戲小說的生產過程，重構以看電影為核心的文人雅集之景況，並探討舊派文人如何面對並消化現代藝術與視覺體驗。通過文化場域、白話現代主義以及機械複製理論的介入，影戲小說的生產將成為一個有力的切口，窺視現代性在民初文人的心中如何產生微妙而深遠之作用。

This essay focuses on elegant gatherings and yingxi fiction cre¬ation in the Great World Entertainment Center during early Republican China. Yingxi is made by an old fashioned scholar called Lu Dan’an, After watching the imported silent movies, he records the contents and adapts them as fictional texts for the purpose of introducing the stories to those who could not afford to watch the films. How yingxi fiction is made, reveals the ruling order among the elegant gatherings, as well as the progress old fashioned Chinese novelists digest western culture and films.With cultural field, vernacular modernism, aura and mechanical reproduction as theoretical approaches, the struggle of Chinese literati against modernism will be interpreted.