晚明萍鄉女史編纂《廣陵女士殿最》一書，並稱「國色」與「天香」，同期清苕花史亦有一部青樓叢書《品花箋》，則對舉「名花」與「傾國」，二書皆呈現著花與美人繫連而成「譜名花而儷色」的著作樣態。《品花箋》收書涉及箋、譜之流的體式，既指陳書寫媒介的物質特性，而圍繞著「名花譜系」之名義及收書品類，更關涉宋代新興的「譜錄」著述。本文試由兩大面向進行考索，其一、「譜錄」類例之成立與宋明知識遞轉；其二、《品花箋》類型著作之類應關係與知識譜系。首先，筆者引入目錄學視角梳理宋代「譜錄」之類例興起與知識型態，並考察「花譜」如何由宋迄明經知識擴散而成教材大全與視覺圖典。其次，聚焦於《品花箋》及其類型著作，視其為宋代「花譜」知識遞轉之多向度產物，從類應關係與知識譜系兩端探討種種相涉問題。

Towards the end of the Ming Dynasty period, there was a monograph entitled: “Kuang Ling Nu Shih Dien Tsui 廣陵女士殿最” in which “national beauty (國色)” and “heavenly fragrance(天香)” were mentioned together. At the same period, a literature series “Pin Hua Jian 品花箋” also recommended the “fine flowers (名花)” and “devastatingly beautiful (傾國)”, both of which present a pattern of writings that associated flowers with beauties. “Pin Hua Jian 品花箋”, this literature series, is a collection of books in the form of short or small poetry papers, catalogs which show the materiality of the medium in which the works were written and the relevance of the narrative of the emerging “Pulu 譜錄” writings of the Song Dynasty. This paper attempts to examine two aspects. First, the establishment of similar examples of “Pulu 譜錄” in the bibliography and the cumulative diffusion of knowledge from the Song to Ming Dynasties. Secondly, the correspondence relationship and knowledge pedigree of “Pin Hua Jian 品花箋” type works. The author will introduce the perspective of the bibliography to organize the emergence of “Pulu 譜錄” in the Song Dynasty and its knowledge patterns and examine the expansion of “flower manuals 花譜” into teaching materials through knowledge and the visualization graph dictionary. In this paper, the author considers the “Pin Hua Jian 品花箋” and the genre writings as the multi-dimensional resultant of the “flower manuals 花譜” cumulative diffusion of the Song Dynasty and explores, addresses the diversity of these issues in terms of correspondence relationship and knowledge pedigree.