科幻與詩的交融互涉，一方面拓展了我們對科幻文學的想像，一方面更新了詩的表現性能，但目前學界的相關討論十分有限。本文將試著爬梳文學史料，綜合考索「科幻詩」在臺灣的發展脈絡，從而建立一個較為周密的詮釋框架。然後聚焦於最重要的一位科幻詩人──陳克華，細讀多篇較具代表性的文本。本文發現，他早期曾以富於現代感的科幻長詩，打破當時流行的敘事詩想像。中後期以後，雖罕寫長篇巨製，敘事不再居於主導，「科幻」乃轉為一種「視域」，生產出各種獨特的隱喻、意象或情感。同時，又與各種元素（例如：都市、政治、身體）相互融合，形成新穎的品類。

The fusion of science fiction and poetry has both widened the scope of science fiction and renewed styles in poetry; yet, however, the current scholarship concerning this area has remained extremely limited. The present article seeks to explore science fiction poetry within the whole of Taiwanese literature in order to establish a comprehensive standard for evaluation. A focused study will furthermore be made on Chen Ke Hua, an important figure in science fiction poetry, with consideration towards his more representative works. The long science fiction poems of Chen’s early period reflected a modernist spirit, breaking the then popular trends of narrative poetry. By his middle and late periods, Chen’s works became shorter in length and science fiction increasingly evolved into the dominant influence of his vision, thus giving birth to a variety of unique metaphors, imagery, and emotions. Other elements (e.g., urbanism, politics, and the physical body) also concurrently became intermingled into his writing, creating new forms.