本文考察在象牙海岸首都阿必尚的三位流行音樂編曲家兼音響工程師的職涯規劃及其與文化多元性的關聯。從他們的家族史、他們具備的多項音樂和音響的專業技能、他們掌握到的職業機會，可以看到他們如何在地方土地依戀感與世界經驗的十字路口交匯處、建構起自己藝術身份的認同。本文從對三位「象牙海岸音樂創作者」的形象描繪開始，並從象牙海岸在世界主義和族裔民族主義的對立拉扯下的歷史視域，檢視他們的文化多元性。最後本文指出他們個人的軌跡和創作資源如何具體展現出系列地理和藝術的轉向，而這正是處境的文化多元性（Situated multiculturality）的特質。

This paper examines the carrier paths and the connections of three arrangers and sound engineers of popular music in Abidjan (Ivory Coast). Through their family history, the multiple skills they have acquired in the music and sound professions, and the professional opportunities they have been able to seize, we will see how their artistic identity is constructed at the crossroads of a territorial attachment and an experience of the world. The paper starts with a portrait of these three ‘makers of Ivorian music’, before examining their multiculturality through the prism of an Ivorian history pulled in the opposite directions of cosmopolitanism and ethno-nationalism. Finally, we will show how their individual trajectories and creative resources embody a series of geographical and artistic shifts, that are characteristic of a situated multiculturality.