篇名 | 論潘之淙《書法離鈎》的書法美學中心思想 |
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卷期 | 復刊14 |
並列篇名 | On the Thesis of Pan Zhicong‘s Shufa ligou (Calligraphy Aesthetics) |
作者 | 詹杭倫 、 黄淑鈴 |
頁次 | 223-237 |
關鍵字 | 潘之淙 、 書法離鈎 、 書法 、 美學 、 禪學 、 Pan Zhicong 、 Shufa ligou 、 Calligraphy,Aesthetics 、 Zen Buddhism |
出刊日期 | 202111 |
明代學者潘之淙《書法離鈎》一書所表述的書法美學中心思想是“取法”與“離法”之間的辯證關係,潘之淙所描述的書法家從“得鈎”、“吞鈎”到“離鈎”的過程,展示出藝術修養的三段式規律:即立志取法→精通法則→離開法則,最後到達無法而法的高妙境地。這與禪學修養的三段式規律是密切相通的。
Ming-dynasty scholar Pan Zhicong’s Shufa ligou (Calligraphy Off the Hook)emphasizes the dialectical relationship between qufa (acquire the rules) and lifa (desert the rules).Pan describes a caligrapher’s three-step process from degou (on the hook), to tungou (master the hook), and to ligou (off the hook), which demonstrates the three phases of his artistic accomplishment: from adopt, to master, and to desert the rules and finally achieve the highest form of artistic freedom.This is closely related to the three stages of Zen Buddhist cultivation.