「漁隱」指隱於漁釣，隱於江湖的隱逸型態。從陸游以「漁隱堂」命名居室，屢以「漁隱」自署，自稱漁父釣翁，在在說明陸游的「漁隱」書寫與其高歌鐵馬樓船，具有同樣的重要性。本文從三個角度探析陸游的「漁隱」書寫：第一，山陰以悠久的隱逸傳統與典範人物著稱，陸游的漁隱情懷即在此氛圍中形成，並對「漁隱」的歷史性與風土性展開自覺論述。第二，陸游的漁隱書寫，創造出有別於山林田野的隱逸空間，充分賦予此一空間獨具的神秘、寧靜特質。晚年自託為湖中隱者的書寫、以水中仙自居的表述，更賦予「漁隱」深刻的精神內涵，體現獨具一格的隱逸型態。第三，〈煙艇記〉所述的浮家之樂，在日後的山陰漁隱生活中得到實踐。陸游熱愛舟居生活型態，從他諸多購買舟船、漁蓑的記述，可見其漁隱是建立在實際的生活環境與體驗中，為傳統漁父詩寫作增添日常化的書寫特色。整體而論，隨著生命歷程的開展，陸游自居漁父、釣翁的自我認同愈趨穩固。「漁隱」成為陸游遠遊他方，尋覓理想之深沉意識的反映，既是隱逸的詩化，也是詩化的隱逸，而其書寫，則深刻展現此一詩學文化現象。

Those fishermen, called hermits, had a long tradition in history and became an important literary symbol in literature. During the Southern Song dynasty, works centered on the concept of "hermit-fisherman" were particularly prosperous and popularized in Zhè-dōng areas. Lu You had lived for a long time on the lakes and rivers in this area; he yearned for this cultural tradition and wrote a lot of poetry based on the hermit-fisherman culture. Therefore, hermit-fisherman writing became an important part of his creation. This article first researches on the tradition of hermit-fishermen by analyzing Lu You's works. Section two investigates and analyzes the image of hermit-fisherman that Lu You enjoyed that riding a boat to and from lakes and rivers. Section three conducts an analysis from the perspective of the writing about fishing and fisherman. Finally, we can have a deeper understanding of the relationship and interaction between the hermit-fisherman culture and fishing writing on Lu You’s poetry.