本論文分為三部分，首先討論〈離騷〉的宗教性，包括屈原的占卜行為、向神祇祝禱，描寫神靈神降與屈原飛升，屈原進入神仙世界時，能周遊天地，並追求古代后妃。其次討論屈原〈離騷〉宗教性書寫的內在意蘊，是展現他的內外兼美，能夠降生成人與飛升成神。他內心有疑惑時，問卜求神，表明他的忠貞。屈原擔憂時間不足，期望能掌握時間，以施行美政理想。屈原在神遊時，能夠人神戀愛，代表著他在尋求同志，共同輔佐楚王。他可以驅遣神靈，是補償心理的表現。最後討論〈離騷〉宗教性書寫對宋玉的影響，以及宋玉的創新之處。屈原的〈離騷〉不只反映出屈原的宗教意識，更可知道他用如椽大筆，將文學與宗教結合，並且承載的個人情志，使得〈離騷〉這篇作品更顯非凡。

This thesis is divided into three parts. Firstly, it discusses the religious nature of "Li Sao", including Qu Yuan's divination, praying to the gods, describing the gods descending from the gods and Qu Yuan flying into the sky. When Qu Yuan enters the world of gods, he can travel around the world and pursue ancient queens. Secondly, the inner connotation of Qu Yuan's religious writing in "Li Sao" is to show his internal and external beauty, capable of being born into a human being and becoming a god in the sky. When he has doubts in his heart, he asks God to show his loyalty.Qu Yuan was worried about the lack of time, and hoped that he would be able to grasp the time to implement his beautiful political ideals. Qu Yuan was able to fall in love between humans and gods when he was wandering in spirit, which means that he was seeking good officials to assist the king of Chu together. He can use the gods to compensate for the psychological performance.Finally, discuss the influence of the religious writing of "Li Sao" on Song Yu, and Song Yu's innovation. Qu Yuan's "Li Sao" not only reflects Qu Yuan's religious consciousness, but also knows that he uses a combination of literature and religion, and carries his personal feelings, making the work of Li Sao more extraordinary.