由於科技是當代藝術重要的探勘面向，因而本文目的為探討《蓋婭：基因、演算、智能設計與自動機＿幻我；它境》如何呈現「科技藝術」的策略視野。因此，本文分析對象並不涉及展覽的實際作品與展覽實境，而是關注論述場域下的觀看視野，以及策展理念如何策略性整合「科技—藝術」範疇的視覺媒介。於是，透過分析視覺媒介所指涉的功能體系和回顧展覽中的媒介境況，藉以論證策展觀點如何以彙整感性經驗的方式，來建構科技與藝術的跨領域狀態。也因此，本文才得以宣稱《蓋婭：基因、演算、智能設計與自動機＿幻我；它境》測繪了「科技—藝術」的視覺化圖譜，並邏輯性拓展科技藝術領域中視域的轉向可能。

Because technology is an important creation of contemporary art, this article mainly discusses how Gaia: Gene, Algorithm, Intelligent Design and Automata _ Illusory Self; Other Realms presents the strategic vision of "Technology Art". Therefore, the object of analysis in this paper does not involve the actual works of the exhibition and the reality of the exhibition, but focuses on the viewing field of view under the discussion field, and how the curatorial concept strategically integrates the visual medium of "technology-art". Therefore, by analyzing the functional system of visual media and reviewing the media situation in the exhibition, it is possible to demonstrate how curatorial viewpoints can integrate perceptual experience to construct the interdisciplinary state of technology and art. Therefore, this article can claim that "Gaia: Gene, Algorithm, Intelligent Design and Automata _ Illusory Self; Other Realm" mapping the visual topography of "technology-art", and logically expands the possibility of turning the field of vision in the field of technology and art .