本文以梅洛—龐蒂的知覺理論為取經、以閱聽人知覺為研究視角，將閱聽人觀賞電影時的知覺劃分為「觀看知覺模式」、「空間知覺」、「敘事知覺」、「生理知覺」等四個知覺面向，同時結合、梳理國內、外學者對於3D電影、VR電影、4K電影、HFR電影的相關研究，對比、分析在此四種閱聽人知覺之下，3D電影、VR電影、4K電影、HFR電影對傳統閱聽人所產生的影響有何異同，進而討論此四種“新”電影規格的映演系統的未來發展趨勢。

This paper draws upon Merleau-Ponty's theory of perception and adopts the perspective of audience perception to examine the perceptual experiences of moviegoers when watching films. The study categorizes the perceptual aspects of audience engagement into four dimensions: "viewing perception patterns," "spatial perception," "narrative perception," and "physiological perception." Simultaneously, it integrates and synthesizes research findings from both domestic and international scholars concerning 3D films, VR films, 4K films, and HFR films. By comparing and analyzing the impacts of these four film formats on traditional audience perception within these four dimensions, the paper explores the similarities and differences. Furthermore, it delves into the future development trends of these "new" film specifications within the film exhibition system.