〈盜俠〉是《酉陽雜俎》前集卷九的其中一篇，當中記載了九篇奇異人物的故事。歷來對《酉陽雜俎·盜俠》的討論皆以「俠」為主，並將其置入唐代豪俠小說的脈絡中。然而，這一些討論皆忽略了作者段成式與其著作《酉陽雜俎》的特殊之處，尤其是「盜」與「俠」之間的關係。本文重思歷來對《酉陽雜俎·盜俠》的形象，重新置入作者段成式的博物觀與全書「炙鵑羞鼈」的特殊定位，並對比《太平廣記》所收錄的其他豪俠類小說，〈盜俠〉打破豪俠小說中為俠所附加的「英雄」想象，還原「盜」的性質，去除「豪」的美化色彩。段成式以更貼近歷史的敘事，指出盜俠的身體意識在犯禁、禮節之間產生衝突，不僅威脅世人社會生活，甚至動搖權威系統的一個身份，進而面臨「誅殺」與「死亡」的結局。

This paper rethinks the prevailing discussions of the “Rogue” in the Tang dynasty anthology “Youyang Zazu”. This study repositions the author Duan Chengshi's unique perspective as a collector of curiosities and the special positioning of the entire work as a distinctive genre apart from history and fiction. “Rogue” is one of the chapters of “Youyang Zazu”, which records the stories of nine extraordinary individuals. Discussions regarding “Rogue” in “Youyang Zazu” have traditionally focused on the “Gallant” aspect, placing them within the context of Tang Dynasty gallant heroic fiction. However, these discussions often overlook the unique aspects of the author, Duan Chengshi, and his work, particularly the nuanced relationship between “Gallant” and “Rogue”. In contrast to other gallant tales collected in “Taiping Guangji”, “Rogue” deconstructs the heroic imagination associated with heroes in gallant fiction, restoring the true nature of “Rogues” while removing the romanticized idea “Gallantry”. Duan Chengshi employs a more historically grounded narrative to points out the conflict in the self-awareness of the Rogue heroes, situated between transgressing prohibitions and adhering to social etiquette. This not only poses a threat to the societal order but also challenges the identity within the authoritative system, ultimately leading to the fateful outcomes of their execution and death.