「唐宋變革論」在歷史分期上的提出，產生了很多面向的討論，本文則就經典詮釋與訓詁觀念的角度切入，探析宋人自劉敞、歐陽脩開始，從復古而疑古，擺脫傳統漢唐經說家法、師法、疏不破注的束縛，在訓詁上創發新義。在此重視儒學義理學術風氣下，學者們對於經典的詮釋有了新的見解與方法，藉由此處作為切入觀察點，可以探知宋人在社會階層輪替的背景下，對於經典的詮釋與訓詁解釋可能存在著一種文化建構的意圖。其中訓詁解釋的觀念與方法可以反映出唐宋變革的歷史環境下，學者們在經說與筆記中的訓詁詮釋反應出當時世俗文化的語言心理。在文字的解釋上，仔細觀察宋人六書析字的系統，已經不能純然以漢代篆隸構形為依歸，而是有了文字構形的當代取向，也產生金石考古的視野。在聲義的分析上，更出現了因聲求義的初始模型，且對於俗語詞彙都進行了記錄並且展開探究分析。本文試圖釐清、研析之重點主要以宋人筆記材料中，對經典注釋與訓詁的分析，如「本義」、「新義」類的文獻、析字解說、探求聲義的論述題材進行觀念與方法的考察，探討宋儒在建構新文化場域時是如何理解經典文獻。考察宋代儒學化發展下的訓詁觀念與方法和特色影響。

The proposition of the "Tang-Song Transformation Theory" in historical periodization has sparked extensive discussions from various perspectives. Nevertheless, the study focused on classical interpretation and exegetical concepts. It started to investigate scholars in Song Dynasty, such as Liu Chang and Ouyang Xiu. These scholars transitioned from restoration to skepticism regarding the ancients, liberating themselves from the traditional Han-Tang exegesis that had previously confined scholars in a chain of transmission. They aimed to interpret their predecessors' annotations while believing that future generations should not be restricted by the limitations of the original viewpoints. Instead, they aspired to innovate new meanings in the realm of textual analysis. While the Confucianism and ethical scholarship had been prevalent during that era, scholars developed new perspectives and methods for interpreting classical texts. Viewing this as a starting point for observation, it was possible to explore those scholars of the Song Dynasty might have harbored cultural intentions in their interpretations and exegetical explanations of the classics during the background of socioeconomic rotation. Among these, scholars' concepts and methods of exegetical interpretation could serve as reflections of the historical context of the Tang-Song transformation. Scholars' interpretations of textual nuances in their commentaries and annotations could unveil the linguistic and psychological dimensions of the secular culture during that period. Regarding the textual interpretation, a careful examination of the discourse system in which scholars of the Song Dynasty analyzed the structure of characters, using the Six Script Categories, revealed a departure from merely relying on the forms of seal script and clerical script during the Han Dynasty. Instead, there emerged a contemporary focus on the regular script style, as well as the utilization of methods from epigraphy and archaeology, based on unearthed artifacts. Concerning the analysis of phonology and semantic meaning of vocabulary, an initial model of seeking meaning through sound emerged. Additionally, there was a documentation and analytical exploration of colloquial terms and expressions. In the realm of textual interpretation, a thorough examination of the discourse system employed by scholars of the Song Dynasty to analyze character structures through the Six Script Categories highlighted a departure from solely depending on the forms of seal script and clerical script that were prevalent during the Han Dynasty. Instead, a contemporary emphasis on the regular script style emerged, alongside the incorporation of techniques from epigraphy and archaeology, drawing from unearthed artifacts. Regarding the scrutiny of phonology and semantic meaning within the vocabulary, an initial model of extracting meaning from sound began to take shape. Furthermore, there was a recording and analytical exploration of vernacular terms and expressions. This paper aimed to elucidate and analyze the primary points of emphasis within the interpretations and annotations of Confucian classics and sketches during the Song Dynasty. It centered on the analysis of classical commentaries and textual interpretations, encompassing materials pertaining to "original meaning" and "new meaning," and investigated concepts and methodologies pertaining to the analysis of character forms, phonetics, semantics, and the exploration of sound-meaning correlations. The paper investigated how Confucian scholars of the Song era comprehended classical texts while constructing a novel cultural domain. It scrutinized the concepts, methodologies, traits, and impacts of exegetical approaches that flourished within Song Dynasty Confucianism.