從「情」自先秦以降，不論是思想上的性情之辨，或是文學上的抒情言志，都是相關範疇的重要論題。玄學興起後，聖人有情的理論帶動了文人對情的重視與彰顯，至西晉形成了普遍的「重情」風氣。此風氣不僅影響學術理論與社會環境，也影響了文學創作。而西晉詩賦出現為數甚多的女性題材，其內容涵蓋甚廣，面貌亦多元，如此的書寫現象與西晉的重情風氣必然有密切的關係。本文擬先由思想史的角度，探究「情」自先秦至西晉的理論變化，以及西晉男女在重情風氣下的生活面向。再爬梳西晉詩賦中的女性題材，分別從思怨、重色、愛戀等類型，分析在重情風氣影響下，如何呈現與前代不同的書寫內涵，以及由此產生的文化意義。

Starting Since the pre-Qin Period, "emotion (Qing 情)" has been an important topic in the related categories, whether in the debate of temperament and emotion in thoughts, or the emotional expression and Aspiration Reflection in literature. After the rise of metaphysics, the theory of sense-bound sages led the literates to highlight and focus on emotions as well as formed a general atmosphere of " emotion emphasis " in the Western Jin Dynasty. This trend not only influenced academic theories and the social environment but also inspired literary creations. Multiple female-centric writings appeared in both Western Jin poetry and rhapsodies(Fu 賦), which contents covered a wide range of features and showed various faces. This phenomenon must be closely attached to the emotion-emphasized atmosphere in Western Jin Dynasty. From the perspective of ideological history, this essay explores the theoretical changes process of "emotion" from the Pre-Qin Dynasty to the Western Jin Dynasty and the life aspects of men and women under the trend of " emotion emphasis " at that time. Then, from the genres of plaintively missing(SiYuan 思怨), amorousness, and loving, I generalize the female-centric in Western Jin and analyze how to present different writing connotations and the resulting cultural significance therefrom.