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1 |
Editor’s Note
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Chun-yen Chen
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2 |
Introduction World Enough
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Yu-lin Lee、Chun-yen Chen
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3 |
“Include Me Out”: Reading Eileen Chang as a World Literature Author
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Carole Hang Fung Hoyan
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Eileen Chang
、
world literature
、
worlding
、
technologies of recognition
、
Sinophone
、
Lin Yutang
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4 |
From the Impersonal to the Ecological: Critique of Neoliberalism and Vision of Ecocosmopolitanism in Wu Ming-Yi’s The Stolen Bicycle
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You-ting Chen
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Wu Ming-Yi
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The Stolen Bicycle
、
neoliberalism
、
impersonal feelings
、
ecocosmopolitanism
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5 |
Compound Eyes and Limited Visions: Wu Ming-Yi’s “Weak Anthropocentric” Gaze for World Literature
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Dingru Huang
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Wu Ming-Yi
、
The Stolen Bicycle
、
heterotemporality
、
weak anthropocentricism
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6 |
Creolization, Translation, and the Poetics of Worldness: On Wu Ming-Yi’s French Translation
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Gwennaël Gaffric
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Wu Ming-Yi
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French
、
translation
、
creolization
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Édouard Glissant
、
Worldness
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7 |
Luo Yijun’s Fourth Person Singular Writing: A Cartography of Time
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Kailin Yang
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temporality
、
virtuality
、
I
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the fourth person singular
、
memory
、
death
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8 |
On the Third Hand: Why to taiwan World Literature
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Adam Lifshey
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9 |
Q & A: Wu Ming-Yi
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Wu Ming-Yi
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10 |
Compromises in Translating Wu Ming-Yi’s Uncompromising Localism
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Darryl Sterk
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