書法是中國最獨特的藝術。它既是文字工具，也是形象藝術，現代書藝則已從工具性質走向視覺藝術。宋代書法家以創作和理論建構了「尚意」書風，影響後世甚深。本篇就現代實驗書法崇
尚意象的特點，探討與古典美學理論中的綰合之處。現代書藝如不被邊緣化，則更須與其他載體結合共構，而古典美學中的許多觀念啟引，值得省思參酌。

Chinese calligraphy is unique – for being not only an implement of writing, but also an art of vision. Although, in the present day, calligraphy has lost its practicality, and only the artistic quality is left.The “implication-emphasized” style, built by Song Dynasty calligraphers with their works and theories, is influential to later ages. This essay focuses on the intention of implication-emphasizing
in modern experimental calligraphy, and then to elucidate the consistency between classical and modern aesthetical theories.To maintain the importance of Chinese calligraphy in art, modern calligraphers could blend it and hybridize it with other media. At the same time, they also should absorb the conceptions and spirit in classical aesthetics.